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Member since 07/2007

The Purpose of this Blog

  • is to serve primarily as a journal of my day-to-day activities as a jewelry designer and artist, business owner, and life-long student of the crafts of goldsmithing and metalsmithing. Occasional non-jewelry-related ramblings are also fair game.

    My journal is meant primarily for me, as it is easiest to keep track of my tasks, thoughts and ideas, and my moods via this medium. However, guests to my blog are very much welcome and are invited to follow along, read, and enjoy.

Intellectual Property Statement

  • It is NOT ok to copy my photos, my writing (unless it is a direct quote from a public source), my designs, or anything else on my blog without my permission.

    If you feel the need to copy any of these things, I suggest that perhaps you see a therapist so you can address the issues that are preventing YOU from being creative?

Precious Metals Prices

My Personal Library of Jewelry-Related Books

  • A. Kenneth Snowman: The Master Jewelers
  • Adolfo Matiello: Techniques of Jewelry Illustration and Color Rendering
  • Alan Revere: Professional Goldsmithing
  • Alan Revere: 101 Bench Tips for Jewelers
  • Alan Revere: The Art of Jewelry Making
  • Ana Campos: Lightness: Reviving the Filigree
  • Angela Fisher: Africa Adorned
  • Antoinette Matlins and A.C. Bonanno: Gem Identification Made Easy
  • Arizona Highways : Turquoise Blue Book
  • Arline M. Fisch: Crocheted Wire Jewelry
  • Arline M. Fisch: Textile Techniques in Metal
  • Augustus Rose and Antonio Cirino: Jewelry Making and Design
  • Barbara A. McGuire: Wire in Design: Modern Wire Art and Mixed Medi
  • Bruce G. Knuth: Jeweler's Resource: A Reference of Gems, Metals, Formulas and Terminology for Jewelers
  • Cally Oldershaw: Firefly Guide to Gems
  • Carles Codina: Goldsmithing and Silver Work
  • Carles Codina: The Complete Book of Jewelry Making
  • Carol Andrews: Ancient Egyptian Jewelry
  • Celie Fago: Keum-Boo on Silver
  • Chantal Lise Saunders: Creative Silver Chains
  • Charles Lewton-Brain: Patinas for Small Studios
  • Charles Lewton-Brain: Forming Using Metal Characteristics: Fold Forming
  • Charles Lewton-Brain: The Jewelry Workshop Safety Report
  • Charles Lewton-Brain: Hinges and Hinge-Based Catches
  • Chuck Evans: Jewelry: Contemporary Design and Technique
  • Clare Phillips: Jewelry: From Antiquity to the Present
  • Cornelius S. Hurlbut, Jr. and Robert C. Kammerling: Gemology-Second Edition
  • Dawn Cusick: Making Bead and Wire Jewelry
  • Dyfri Willams and Jack Ogden: Greek Gold
  • Elizabeth Olver: Jewelry Making Techniques Book
  • Elizabeth Olver: Jewelry Design: The Artisan's Reference
  • Friedrich Becker: Jewelry.Kinetic.Objects
  • Gerald L. Wykoff, G. G.: The Techniques of Master Stonesetting
  • Glen F. Waszek: Making Silver Chains
  • Gregg Todd and Greg Gilman: At the Bench
  • Harold O'Connor: The Flexible Shaft Machine: Jewelry Techniques
  • Heikki Seppa: Form Emphasis for Metalsmiths
  • Helen Clegg and Mary Larom: Making Wire Jewelry: 60 Easy Projects in Silver, Copper and Brass
  • Hugh Tait: Jewelry: 7000 Years
  • Ian Ferguson: Mokume Gane
  • Irene From Peterson: Great Wire Jewelry
  • Janine Roberts: Glitter and Greed: The Secret World of the Diamond Cartel
  • Jean Reist Stark and Josephine Reist Stark: Classical Loop-in-Loop Chains and Their Derivatives
  • Jeanne Rhodes-Moen: Silver Threads: Making Wire Filigree Jewelry
  • Jinks McGrath: The Jeweler's Directory of Decorative Finishes
  • Jinks McGrath: The Rings Book
  • Joanna Gollberg: Making Metal Jewelry
  • Juanita Patience Moss: Anthracite Coal Art by Charles Edgar Patience
  • Judy Hoch: Tumble Finishing for Handmade Jewelry
  • Karen Christians: Making the Most of Your Flex-shaft
  • Knuth: Gems in Myth, Legend and Lore
  • Lawrence Kallenberg: Modeling in Wax for Jewelry and Sculpture, 2nd Edition
  • Long Beach Museum of Art: The Modernist Jewelry of Claire Falkenstein
  • Marthe Le Van: The Penland Book of Jewelry: Master Classes in Jewelry Techniques
  • Mary Hettmansperger: Fabulous Woven Jewelry
  • Maurice Galli et. al. : Creative Variations in Jewelry Design
  • Michael R. Carlson: The Beauty of Banded Agates
  • Murray Bovin: Jewelry Making for Schools, Tradesmen and Craftsmen, Revised Edition
  • Nancy Howland: Doming Silver Beads
  • National Audubon Society: Field Guide to Rocks and Minerals
  • Oppi Untracht: Jewelry: Concepts and Technology
  • Oppi Untracht: Metal Techniques for Craftsmen
  • Prof. Dr. Erhard Brepohl: The Theory and Practice of Goldsmithing
  • Renee Newman: Gemstone Buying Guide
  • Renee Newman: Pearl Buying Guide
  • Richard W. Wise: Secrets of the Gem Trade: The Connoisseur's Guide to Precious Gemstones
  • Robert von Neumann: The Design and Creation of Jewelry
  • Rupert Finegold and William Seitz: Silversmithing
  • Steve Midgett: Mokume Gane: A Comprehensive Study
  • Terry Taylor and Dylon Whyte: Chain Mail Jewelry
  • The Art of Jewelry Design: Elizabeth Olver
  • Tim McCreight: Metals Technic: A Collection of Techniques for Metalsmiths
  • Tim McCreight: The Metalsmith's Book of Boxes and Lockets
  • Tim McCreight: Jewelry: Fundamentals of Metalsmithing
  • Tim McCreight: The Complete Metalsmith
  • Tim McCreight: Jewelry Making: Techniques for Metal
  • Timothy Garrard: The Gold of Africa: Jewellery and Ornaments from Ghana, Coted'Ivoire, Mali and Senegal

Pantone Color Reports

My Ag Etsy Store

  • Your source for eclectic, one of a kind, handcrafted jewelry.

« It's *Another* Blog Carnival! | Main | Featured! »

Friday, May 16, 2008

What Do You Do to Jump-Start Your Creativity?

Like my last BC post, for the sake of thinking this out I'm going to do a little cyber-jotting here before actually digging in.

So, hmmm... What DO I do to jump-start my creativity? I'€™ll leave the "€œstretch"€ part alone because I'm not feeling that part of the question. In any case, I don't know that I necessarily DO anything to jump-start my creativity. I'm creative all the time, for the most part--it'™s a part of who I am. I must be creative or I will die. [Chuckle, please.] However, there are some things that definitely facilitate my creative spurts more than others, and they seem to fall into two categories--things that directly affect my creativity and things that indirectly affect my creativity. I'll try to elaborate on all of them without turning this into a book. Also, for me, it's important to note that being creative can also be separate from doing creative--the doing part is a post for another day.

Directly Jump-Starts My Creativity:

  • Clean the house and/or my studio
  • Read/study
  • Visit an art museum (Kandinsky and Rothko)
  • Listen to Bach's Concerto for Two Violins in D Minor
  • Listen to other specific music (Maxwell's Embrya; anything by George Michael)

Indirectly Jump-Starts My Creativity:

  • Physical Environment
  • Time of year--fall
  • Take a shower
  • Drive--actively
  • Drive--inactively

The Direct Stuff

Cleaning: As many of my blog readers already know, I'm a wee-bit on the OC (obsessive-compulsive) side. As such, cleaning is a very Zen activity for me. It'€™s a process that helps me purge the jibber-jabber in my head and allows creativity to come in. Likewise, I can'€™t stand a mess. Messes, for me, are creative blocks. So, it'™s almost something I *have* to do. In fact, a lot of times when I'€™m blocked creatively or am trying to think through a fabrication or design issue, I will clean my studio or my office from top to bottom--only to mess them up all over again, of course. 

Read/Study: I'€™m a book-person. I especially love reading and studying my jewelry books (sometimes over and over)--I have a ton of them in my library, many about the history of jewelry. Often, it doesn't take much to get the ideas flowing as the result of reading about a process, procedure or design technique. And then there are my art and art history books--oh my gawd. 

Kandinskyseabattle Visiting Art Museums: I always get creative spurts immediately after visiting art museums. In particular, especially after seeing anything by Wassily Kandinsky. I LOVE Kandinsky, and ever since I was old enough to visit art museums, his work has always hit me in a really weird-but-creative way. When I saw Improvisation #31 (Sea Battle) for the first time, I felt like somebody punched me in the stomach--in a good way, if that's possible...I think I actually stopped breathing for a moment because it hit me so hard. The colors and the motion in the painting are so intense--and seeing it just sparks the part of my brain where my creativity resides. I get this really weird, surreal feeling from connecting with it. [Photo borrowed from the National Gallery of Art's website--oh, and the colors on your computer screen do the painting absolutely NO justice.]

Bach's Concerto for Two Violins in D Minor: This is a big one for me. As a former classical pianist who played a lot of Bach, I love counterpoint. Just listening to all of the voices (instrumental) come together in this... This piece has been known to move me to tears, after which, the dam opens up and the creative juices just flow. --This one works every time.
 
The Indirect Stuff

Physical Environment: My creativity is always affected by my physical environment. Can'€™t explain it; however, I do know that if the energy isn'€™t right, I risk experiencing "creative block." When the energy in my surroundings is "right," the creativity flows.  --Must have windows and a lot of light...and must be clean and orderly--no junk, no clutter, no carpet.

Time of Year: Since I was little, Fall has been my favorite time of year because it brings with it a certain fresh, deep, creative energy for me. --From the changing of the leaves on the trees and the briskness of the weather, to the smells of fall, and to the fabrics and patterns of fall (lush, beautiful tweeds and deep, rich, dark leathers--paisleys, plaids, etc.). Add to that Halloween. Back to school. New books. New perspectives. A new agenda. Fresh, new, unblemished school supplies. OH, and I must not forget--the 1000-page-thick fall issues of Vogue, Elle, Harper'€™s Bazaar, and W! 

Taking a Shower: Don'€™t ask. It's as simple as, the minute I'm doing something where I can'€™t have a pad and paper with me, the creative switch goes on. Period. I can't count the number of times where, just after turning the water on and stepping in, WHOOSH!--”the creative faucet in my head gets turned on too. Funny and often annoying thing is that, often, many of the ideas aren't even related, which makes trying to re-capture them later a bit of a pain. So, when I can remember, I keep my mini digital tape recorder with me, and then I also keep a notepad and pencil in my makeup drawer! 

Driving (inactively): For the most part, same as "Taking a Shower." And sorry, I'm not one of those who writes and drives--€”I have been known to pull over--€”so, again, the digital tape recorder comes in handy again here. 

Driving (actively): This could actually go under "Direct Stuff"€ too. There is nothing like driving in one's car on a sunny day, on a long, scenic road, with the sunroof open (or, top down when I used to have my Miata), blasting a good mix of music. It is SO on if one of those pieces is, of course, Bach--and yes, I will blast Bach (but please do know that I value my hearing, so I don'€™t do that too often).

--------------

ADDENDUM - 7:06 a.m.

How could I forget THUNDERSTORMS?! I've always loved good, loud thunderstorms. --This, from someone who at one point was very interested in storm-chasing. There is nothing like the creative energy that comes a storm. I usually turn off all of the lights, light some candles, open the windows if rain doesn't blow in, and work! Add to that, the Bach concerto...oooooooo.

______________________________________________________

Now, one might ask, "Well, if you have of these things available to you that you *know* get you going creatively, why don't you use them all the time--or whenever you feel like you're blocked?" I can't say that I have a rational response for that and...ooooo, lookie! Time on this post is up! Here are the links to the other participants in this month's blog carnival (monthly from now on, third Friday...).

Angela Baudel-Crispin

Marco Fleseri

Tamra Gentry

Sherri Haab

Lora Hart

Elaine Luther

Chris Parry

Kirsten Skiles

Comments

Hi ladies! Thanks for the compliments.

Angela: Now that you mention it, "washing one's hair" does actually help facilitate getting the cobwebs out! --It's even better if the shampoo smells really good. ;-)

Lora: By all means play the music!!! Put on your favorite sweats, get barefoot, burn some candles and crank up the volume!

Tamra, you're such a good writer. Alway really well thought out answers. This one really helped me think aobut my own blockage dilema. The one thing I haven't done, don't ask me why - I have nooo idea, is to play some favorite music. The minute it's light out (4:56 am right now) I'm crankin' up the volume. I bet that'll get me started.

How funny ! You are well organized with your thoughts ! I totally relate to 2 things which I myself didn't think of mentioning:
shower=or more specifically "washing my hair" - I guess it takes the cob-webs out ;) and driving long on long road trips where all you can do is think and imagine anyway ... occasionally pay attention to the road too ;)
Great points !

Angela

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Birthstones

  • CHINESE ZODIAC
    Year of the Ox
    Lapis Lazuli
  • JUNE'S BIRTHSTONES
    Modern: Pearl, Moonstone

    Traditional: Alexandrite

    Western Astrological:

    Gemini (May 21/22 to June 21): Zodiac--Agate/Planet--Emerald, Tigers Eye

    Cancer (June 22 to July 22): Zodiac--Emerald/Planet--Moonstone

Trunkt: T. Gentry Design Studio

Categories

Useful in the Studio

  • Lip Balm
    Sure, you can use any lip balm, but I love Burt's Bees Replenishing Lip Balm with Pomegranate Oil. For me, if my lips are dry while I'm working, I find that I tend to lose focus a bit. I can't stand dry lips. And, for some reason, dry lips tend to bring on the munchies, which is not good. So, balm up! This is good stuff.
  • Old Rags and Towels
    I'm almost at a point where I no longer use paper towels at all in my studio (in an attempt to "go green"). I hijacked all of our old towels (kitchen and bath) in a variety of sizes, and all I have to do is throw them in the laundry and re-use. No paper waste! And, they're much more absorbent and better for cleaning messes and spills.
  • Shea Butter for Hands
    As jewelers, our hands take a lot of abuse. I've searched and searched for THE product that helps with my eczematic hands, and the cracks I get from frequent washing. If you have dry, cracked hands--or just hard-working hands in general, this stuff works wonders! And this is from someone who has tried EVERYTHING.
  • Covered Coffee/Tea Mug
    A must-have for anyone who fabricates and generates any type of metal or other studio dust. I drink a LOT of coffee and tea while I'm working, and this mug keeps all the bad stuff out. And, it's only ten bucks (plus shipping...)!
  • Canned Air Duster
    I've found this stuff invaluable both at the bench and at the computer. I can't stand a crappy keyboard, so it's good for that; but, it's also good for blowing dust and/or filings off of a piece while you're working on it. Go for the environmentally-friendly cans...
  • Glass Jars
    I haven't met a glass jar I don't like yet. You can do ANYTHING with all those jars! Store chemicals, mix chemicals, store brushes and dowels. Not to mention, you can look at it as actively recycling too!
  • Shoe/Handbag Storage Bags
    You know--the drawstring cloth storage bags that come along with some purses and pairs of shoes? I always keep the shoe boxes for the shoes anyway, so I use the bags for things like wrapping tools, putting over my camera when not in use (nice satin Betsey Johnson bag for this...), storing jewelry when working at the bench instead of leaving it out to get tarnished, etc.
  • Toilet Paper
    This is VERY useful for dabbing away too much flux when prepping to solder. You can just rip off ONE sheet, tear it at an angle, and then dab! Also good for blowing one's nose when out of studio kleenex...