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Member since 07/2007

The Purpose of this Blog

  • is to serve primarily as a journal of my day-to-day activities as a jewelry designer and artist, business owner, and life-long student of the crafts of goldsmithing and metalsmithing. Occasional non-jewelry-related ramblings are also fair game.

    My journal is meant primarily for me, as it is easiest to keep track of my tasks, thoughts and ideas, and my moods via this medium. However, guests to my blog are very much welcome and are invited to follow along, read, and enjoy.

Intellectual Property Statement

  • It is NOT ok to copy my photos, my writing (unless it is a direct quote from a public source), my designs, or anything else on my blog without my permission.

    If you feel the need to copy any of these things, I suggest that perhaps you see a therapist so you can address the issues that are preventing YOU from being creative?

Precious Metals Prices

My Personal Library of Jewelry-Related Books

  • A. Kenneth Snowman: The Master Jewelers
  • Adolfo Matiello: Techniques of Jewelry Illustration and Color Rendering
  • Alan Revere: Professional Goldsmithing
  • Alan Revere: 101 Bench Tips for Jewelers
  • Alan Revere: The Art of Jewelry Making
  • Ana Campos: Lightness: Reviving the Filigree
  • Angela Fisher: Africa Adorned
  • Antoinette Matlins and A.C. Bonanno: Gem Identification Made Easy
  • Arizona Highways : Turquoise Blue Book
  • Arline M. Fisch: Crocheted Wire Jewelry
  • Arline M. Fisch: Textile Techniques in Metal
  • Augustus Rose and Antonio Cirino: Jewelry Making and Design
  • Barbara A. McGuire: Wire in Design: Modern Wire Art and Mixed Medi
  • Bruce G. Knuth: Jeweler's Resource: A Reference of Gems, Metals, Formulas and Terminology for Jewelers
  • Cally Oldershaw: Firefly Guide to Gems
  • Carles Codina: Goldsmithing and Silver Work
  • Carles Codina: The Complete Book of Jewelry Making
  • Carol Andrews: Ancient Egyptian Jewelry
  • Celie Fago: Keum-Boo on Silver
  • Chantal Lise Saunders: Creative Silver Chains
  • Charles Lewton-Brain: Patinas for Small Studios
  • Charles Lewton-Brain: Forming Using Metal Characteristics: Fold Forming
  • Charles Lewton-Brain: The Jewelry Workshop Safety Report
  • Charles Lewton-Brain: Hinges and Hinge-Based Catches
  • Chuck Evans: Jewelry: Contemporary Design and Technique
  • Clare Phillips: Jewelry: From Antiquity to the Present
  • Cornelius S. Hurlbut, Jr. and Robert C. Kammerling: Gemology-Second Edition
  • Dawn Cusick: Making Bead and Wire Jewelry
  • Dyfri Willams and Jack Ogden: Greek Gold
  • Elizabeth Olver: Jewelry Making Techniques Book
  • Elizabeth Olver: Jewelry Design: The Artisan's Reference
  • Friedrich Becker: Jewelry.Kinetic.Objects
  • Gerald L. Wykoff, G. G.: The Techniques of Master Stonesetting
  • Glen F. Waszek: Making Silver Chains
  • Gregg Todd and Greg Gilman: At the Bench
  • Harold O'Connor: The Flexible Shaft Machine: Jewelry Techniques
  • Heikki Seppa: Form Emphasis for Metalsmiths
  • Helen Clegg and Mary Larom: Making Wire Jewelry: 60 Easy Projects in Silver, Copper and Brass
  • Hugh Tait: Jewelry: 7000 Years
  • Ian Ferguson: Mokume Gane
  • Irene From Peterson: Great Wire Jewelry
  • Janine Roberts: Glitter and Greed: The Secret World of the Diamond Cartel
  • Jean Reist Stark and Josephine Reist Stark: Classical Loop-in-Loop Chains and Their Derivatives
  • Jeanne Rhodes-Moen: Silver Threads: Making Wire Filigree Jewelry
  • Jinks McGrath: The Jeweler's Directory of Decorative Finishes
  • Jinks McGrath: The Rings Book
  • Joanna Gollberg: Making Metal Jewelry
  • Juanita Patience Moss: Anthracite Coal Art by Charles Edgar Patience
  • Judy Hoch: Tumble Finishing for Handmade Jewelry
  • Karen Christians: Making the Most of Your Flex-shaft
  • Knuth: Gems in Myth, Legend and Lore
  • Lawrence Kallenberg: Modeling in Wax for Jewelry and Sculpture, 2nd Edition
  • Long Beach Museum of Art: The Modernist Jewelry of Claire Falkenstein
  • Marthe Le Van: The Penland Book of Jewelry: Master Classes in Jewelry Techniques
  • Mary Hettmansperger: Fabulous Woven Jewelry
  • Maurice Galli et. al. : Creative Variations in Jewelry Design
  • Michael R. Carlson: The Beauty of Banded Agates
  • Murray Bovin: Jewelry Making for Schools, Tradesmen and Craftsmen, Revised Edition
  • Nancy Howland: Doming Silver Beads
  • National Audubon Society: Field Guide to Rocks and Minerals
  • Oppi Untracht: Jewelry: Concepts and Technology
  • Oppi Untracht: Metal Techniques for Craftsmen
  • Prof. Dr. Erhard Brepohl: The Theory and Practice of Goldsmithing
  • Renee Newman: Gemstone Buying Guide
  • Renee Newman: Pearl Buying Guide
  • Richard W. Wise: Secrets of the Gem Trade: The Connoisseur's Guide to Precious Gemstones
  • Robert von Neumann: The Design and Creation of Jewelry
  • Rupert Finegold and William Seitz: Silversmithing
  • Steve Midgett: Mokume Gane: A Comprehensive Study
  • Terry Taylor and Dylon Whyte: Chain Mail Jewelry
  • The Art of Jewelry Design: Elizabeth Olver
  • Tim McCreight: Metals Technic: A Collection of Techniques for Metalsmiths
  • Tim McCreight: The Metalsmith's Book of Boxes and Lockets
  • Tim McCreight: Jewelry: Fundamentals of Metalsmithing
  • Tim McCreight: The Complete Metalsmith
  • Tim McCreight: Jewelry Making: Techniques for Metal
  • Timothy Garrard: The Gold of Africa: Jewellery and Ornaments from Ghana, Coted'Ivoire, Mali and Senegal

Pantone Color Reports

My Ag Etsy Store

  • Your source for eclectic, one of a kind, handcrafted jewelry.

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Monday, March 10, 2008

Guest Blogger Post-How to Get Started with PMC Clay

Today is a Guest Blogger day, and my guest blogger is Elaine Luther, business-owner, teacher, PMC clay expert, and jewelry artist.

Since I'm not the one doing the post today, I asked Elaine for her "mood" and "studio noise." Her post begins immediately following.

____________________________________________________
Elaine's Mood Ring:  Red  

Elaine's Studio Noise: Dido (Life for Rent)

How to Get Started with Precious Metal Clay:

Many of my students (I’ve taught PMC since 1997) already do bead stringing – I call that “the gateway drug” to jewelry making. And they’d like to add a handmade component to their pieces. Using metal clay (I use Precious Metal Clay +) allows them to make their own earring components, pendants, focal beads.

Others come to a metal clay class for the same reasons that folks have been taking metalsmithing for ages – they just want to make jewelry.

I’ve taught metalsmithing since 1992 and I’d say over the years, the most common thing people say is they want to make a ring. I don’t know why that is. There seems to be this human need to adorn.

So why try metal clay?

Elaines_pmc_tools If you’re already a proficient metalsmith you might say, why bother? Which is a fair response. But on the other hand, why not? Would you thumb your nose at learning to use the hydraulic press? Why not add to your tool box of methods and materials?

If you’re not already a proficient metalsmith, you may wish to take up metal clay because the learning curve for metal clay is much shorter than the one for metalsmithing.

In my opinion, the people who can best exploit metal clay are those who can do both metalsmithing and metal clay – they can take the best of both.

I prefer to see stones set using conventional metals and methods, as opposed to in metal clay. (though I admit there are some folks doing amazing work setting stones with metal clay.)

So if you’re interested in trying metal clay, where would you start? A class is always great (I have to say that, I’m a teacher!), but if you can’t get to one, there are some great DVDs out there, plus tons of free videos and tutorials on the web.

The thing about metal clay is you might expect it to be familiar, like other clay-like substances you’ve worked with in the past – but it’s not. It’s different, and you’ll probably save time and money in the long run if you take a class.

It’s those little tips you get from someone else’s long experience that make a class worth it.

Here are some links to help you get started in learning more on line. Some are by me, some are by others folks, and some are links lists I’ve put together.

Mschindel’s Squidoo Lens on Metal Clay

Mschindel’s Squidoo Lens on Weaving Metal Clay Sheet


Metal Clay Gallery yahoo list

My blog, All Things Metal Clay

My Squidoo Lens, Getting Started in Metal Clay and Beyond

My Squidoo Lens, Top Ten Tools for Metal Clay


My blog post: Free Tutorials and Videos

PMC Guild

____________________________________________________
Image courtesy of Elaine Luther.

To see some of Elaine's work with PMC, take a look on her blog.

Comments

Hi Sue!

Thanks for visiting my blog. I think Elaine might be best suited to answer your question. I used to work with PMC clay a few years ago and haven't since then, so I, personally, can't think of any improvements.

Maybe perhaps they could add some kind of additional moisture agent to keep it from drying out so quickly--but then, I never used to work with it without having a spray bottle and other such items around me. Then, I remember having a couple of packages that dried out over time--never figured out how that happened because there were no holes in it from what I could tell. It was a bear to get them re-hydrated--I mean *whole* lumps of clay. Tim McCreight has some instructions on how to re-hydrate, but the process just wasn't fun at all. At least for me.

I'll shoot Elaine a note and let her know to take a peek over here at your question.

Again, thanks for visiting! --Don't be a stranger.

Thank you-really enjoyed your site. Inspired to keep looking for the treasures that make life special. Agree that settings using gemstones
set in PMC have a way to go-generally speaking. What do you think would
most improve PMC ?

The comments to this entry are closed.

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Birthstones

  • CHINESE ZODIAC
    Year of the Ox
    Lapis Lazuli
  • JUNE'S BIRTHSTONES
    Modern: Pearl, Moonstone

    Traditional: Alexandrite

    Western Astrological:

    Gemini (May 21/22 to June 21): Zodiac--Agate/Planet--Emerald, Tigers Eye

    Cancer (June 22 to July 22): Zodiac--Emerald/Planet--Moonstone

Trunkt: T. Gentry Design Studio

Categories

Useful in the Studio

  • Lip Balm
    Sure, you can use any lip balm, but I love Burt's Bees Replenishing Lip Balm with Pomegranate Oil. For me, if my lips are dry while I'm working, I find that I tend to lose focus a bit. I can't stand dry lips. And, for some reason, dry lips tend to bring on the munchies, which is not good. So, balm up! This is good stuff.
  • Old Rags and Towels
    I'm almost at a point where I no longer use paper towels at all in my studio (in an attempt to "go green"). I hijacked all of our old towels (kitchen and bath) in a variety of sizes, and all I have to do is throw them in the laundry and re-use. No paper waste! And, they're much more absorbent and better for cleaning messes and spills.
  • Shea Butter for Hands
    As jewelers, our hands take a lot of abuse. I've searched and searched for THE product that helps with my eczematic hands, and the cracks I get from frequent washing. If you have dry, cracked hands--or just hard-working hands in general, this stuff works wonders! And this is from someone who has tried EVERYTHING.
  • Covered Coffee/Tea Mug
    A must-have for anyone who fabricates and generates any type of metal or other studio dust. I drink a LOT of coffee and tea while I'm working, and this mug keeps all the bad stuff out. And, it's only ten bucks (plus shipping...)!
  • Canned Air Duster
    I've found this stuff invaluable both at the bench and at the computer. I can't stand a crappy keyboard, so it's good for that; but, it's also good for blowing dust and/or filings off of a piece while you're working on it. Go for the environmentally-friendly cans...
  • Glass Jars
    I haven't met a glass jar I don't like yet. You can do ANYTHING with all those jars! Store chemicals, mix chemicals, store brushes and dowels. Not to mention, you can look at it as actively recycling too!
  • Shoe/Handbag Storage Bags
    You know--the drawstring cloth storage bags that come along with some purses and pairs of shoes? I always keep the shoe boxes for the shoes anyway, so I use the bags for things like wrapping tools, putting over my camera when not in use (nice satin Betsey Johnson bag for this...), storing jewelry when working at the bench instead of leaving it out to get tarnished, etc.
  • Toilet Paper
    This is VERY useful for dabbing away too much flux when prepping to solder. You can just rip off ONE sheet, tear it at an angle, and then dab! Also good for blowing one's nose when out of studio kleenex...