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Member since 07/2007

The Purpose of this Blog

  • is to serve primarily as a journal of my day-to-day activities as a jewelry designer and artist, business owner, and life-long student of the crafts of goldsmithing and metalsmithing. Occasional non-jewelry-related ramblings are also fair game.

    My journal is meant primarily for me, as it is easiest to keep track of my tasks, thoughts and ideas, and my moods via this medium. However, guests to my blog are very much welcome and are invited to follow along, read, and enjoy.

Intellectual Property Statement

  • It is NOT ok to copy my photos, my writing (unless it is a direct quote from a public source), my designs, or anything else on my blog without my permission.

    If you feel the need to copy any of these things, I suggest that perhaps you see a therapist so you can address the issues that are preventing YOU from being creative?

Precious Metals Prices

My Personal Library of Jewelry-Related Books

  • A. Kenneth Snowman: The Master Jewelers
  • Adolfo Matiello: Techniques of Jewelry Illustration and Color Rendering
  • Alan Revere: Professional Goldsmithing
  • Alan Revere: 101 Bench Tips for Jewelers
  • Alan Revere: The Art of Jewelry Making
  • Ana Campos: Lightness: Reviving the Filigree
  • Angela Fisher: Africa Adorned
  • Antoinette Matlins and A.C. Bonanno: Gem Identification Made Easy
  • Arizona Highways : Turquoise Blue Book
  • Arline M. Fisch: Crocheted Wire Jewelry
  • Arline M. Fisch: Textile Techniques in Metal
  • Augustus Rose and Antonio Cirino: Jewelry Making and Design
  • Barbara A. McGuire: Wire in Design: Modern Wire Art and Mixed Medi
  • Bruce G. Knuth: Jeweler's Resource: A Reference of Gems, Metals, Formulas and Terminology for Jewelers
  • Cally Oldershaw: Firefly Guide to Gems
  • Carles Codina: Goldsmithing and Silver Work
  • Carles Codina: The Complete Book of Jewelry Making
  • Carol Andrews: Ancient Egyptian Jewelry
  • Celie Fago: Keum-Boo on Silver
  • Chantal Lise Saunders: Creative Silver Chains
  • Charles Lewton-Brain: Patinas for Small Studios
  • Charles Lewton-Brain: Forming Using Metal Characteristics: Fold Forming
  • Charles Lewton-Brain: The Jewelry Workshop Safety Report
  • Charles Lewton-Brain: Hinges and Hinge-Based Catches
  • Chuck Evans: Jewelry: Contemporary Design and Technique
  • Clare Phillips: Jewelry: From Antiquity to the Present
  • Cornelius S. Hurlbut, Jr. and Robert C. Kammerling: Gemology-Second Edition
  • Dawn Cusick: Making Bead and Wire Jewelry
  • Dyfri Willams and Jack Ogden: Greek Gold
  • Elizabeth Olver: Jewelry Making Techniques Book
  • Elizabeth Olver: Jewelry Design: The Artisan's Reference
  • Friedrich Becker: Jewelry.Kinetic.Objects
  • Gerald L. Wykoff, G. G.: The Techniques of Master Stonesetting
  • Glen F. Waszek: Making Silver Chains
  • Gregg Todd and Greg Gilman: At the Bench
  • Harold O'Connor: The Flexible Shaft Machine: Jewelry Techniques
  • Heikki Seppa: Form Emphasis for Metalsmiths
  • Helen Clegg and Mary Larom: Making Wire Jewelry: 60 Easy Projects in Silver, Copper and Brass
  • Hugh Tait: Jewelry: 7000 Years
  • Ian Ferguson: Mokume Gane
  • Irene From Peterson: Great Wire Jewelry
  • Janine Roberts: Glitter and Greed: The Secret World of the Diamond Cartel
  • Jean Reist Stark and Josephine Reist Stark: Classical Loop-in-Loop Chains and Their Derivatives
  • Jeanne Rhodes-Moen: Silver Threads: Making Wire Filigree Jewelry
  • Jinks McGrath: The Jeweler's Directory of Decorative Finishes
  • Jinks McGrath: The Rings Book
  • Joanna Gollberg: Making Metal Jewelry
  • Juanita Patience Moss: Anthracite Coal Art by Charles Edgar Patience
  • Judy Hoch: Tumble Finishing for Handmade Jewelry
  • Karen Christians: Making the Most of Your Flex-shaft
  • Knuth: Gems in Myth, Legend and Lore
  • Lawrence Kallenberg: Modeling in Wax for Jewelry and Sculpture, 2nd Edition
  • Long Beach Museum of Art: The Modernist Jewelry of Claire Falkenstein
  • Marthe Le Van: The Penland Book of Jewelry: Master Classes in Jewelry Techniques
  • Mary Hettmansperger: Fabulous Woven Jewelry
  • Maurice Galli et. al. : Creative Variations in Jewelry Design
  • Michael R. Carlson: The Beauty of Banded Agates
  • Murray Bovin: Jewelry Making for Schools, Tradesmen and Craftsmen, Revised Edition
  • Nancy Howland: Doming Silver Beads
  • National Audubon Society: Field Guide to Rocks and Minerals
  • Oppi Untracht: Jewelry: Concepts and Technology
  • Oppi Untracht: Metal Techniques for Craftsmen
  • Prof. Dr. Erhard Brepohl: The Theory and Practice of Goldsmithing
  • Renee Newman: Gemstone Buying Guide
  • Renee Newman: Pearl Buying Guide
  • Richard W. Wise: Secrets of the Gem Trade: The Connoisseur's Guide to Precious Gemstones
  • Robert von Neumann: The Design and Creation of Jewelry
  • Rupert Finegold and William Seitz: Silversmithing
  • Steve Midgett: Mokume Gane: A Comprehensive Study
  • Terry Taylor and Dylon Whyte: Chain Mail Jewelry
  • The Art of Jewelry Design: Elizabeth Olver
  • Tim McCreight: Metals Technic: A Collection of Techniques for Metalsmiths
  • Tim McCreight: The Metalsmith's Book of Boxes and Lockets
  • Tim McCreight: Jewelry: Fundamentals of Metalsmithing
  • Tim McCreight: The Complete Metalsmith
  • Tim McCreight: Jewelry Making: Techniques for Metal
  • Timothy Garrard: The Gold of Africa: Jewellery and Ornaments from Ghana, Coted'Ivoire, Mali and Senegal

Pantone Color Reports

My Ag Etsy Store

  • Your source for eclectic, one of a kind, handcrafted jewelry.

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Friday, February 22, 2008

I Can't Live Without...

Hang on, the answer to that is coming--we have to roll through my front-end credits first--my Mood Ring and Studio Noise.

Mood Ring: Green

Studio Noise: Lionel Richie; Can't Slow Down (All Night Long)

Now we can begin!

This is my first post as a participant in a popular blog-world phenomenon called a blog carnival. In a blog carnival, a number of bloggers blog about a specific, narrowly-defined topic, and in their individual posts they provide links to the other carnival bloggers in an attempt to provide a variety of resources all in one place, at one time.

The question raised for this "episode" of our blog carnival was “What tool, skill/technique, or technology has most affected your work, and in what way?” This was a tough question for me to answer because as a tool junkie, I have a special affection for most of the tools in my studio, most of them are priceless with regards to what they allow me to do--a few of my favorites being my GRS Magnablock Ball Vise and accessories, as well as my Spirflame water torch. However, if I had to name just one tool that has most affected my work, it is my Jump Ringer, a product created by Ray Grossman.

Note that there are two "jumpringers"--the one that is the creation of Ray Grossman, and the one manufactured by Pepe.
_____________________________________________________

The Jump Ringer is a tool (kit) used to wind and cut metal wire for the purpose of making uniform, cleanly-cut chain links and jump-rings (or, whatever else you want to use the links for). It comes in a few different versions--the Basic and MKII versions, the difference being that the basic cuts softer metals like gold, silver, etc.; whereas, the MKII cuts the hard metals such as stainless steel, titanium, etc. I have the Basic, High-Production version which comes with 15" mandrels. For those who don't do a lot of chain-weaving don't want to pay the higher price, there is the Standard version with shorter 5" mandrels.

My set-up consists of the mounting bracket for the drill, the drill which I plug into my flex-shaft foot control to power the drill and control its speed, the blade housing and arbor, and the coil holder. Since I have one of the older versions of the set-up, I supplied my own drill and the foot-control from my flex shaft.

The Jump Ringer is important to what I do because I cut and fuse *a lot* of links for weaving chain. In the months to come, I will be cutting and fusing even more, so efficiency is very important to me. If I had to wind wire to make the number of chain links that I usually need, I’d be in a lot of trouble—both time-wise and physically (I do not desire Popeye forearms...). The Jump Ringer cuts the time needed for this at least by half. And, for those of us who've wound and cut links by hand, we know that sawing them post-winding can be a bit of a drag unless you only need a very small number of links. The Jump Ringer makes that part of the process painless.

The Jump Ringer can be purchased at a number of jewelry supply vendors, and the cost varies as you can purchase the entire system, or parts as needed. I provide the link to Connie Fox's site, Jatayu, where she sells and lays out very nicely all of the components to the system. Again--other vendors sell it, but I find her site most easy to navigate. You are welcome to compare prices from other vendors such as Otto Frei, Rio Grande, etc. A bonus is that no matter where you purchase it, the system designer, Ray Grossman, provides free technical assistance should you need it--and he's great to work with.

Abandon me on a desert island and I only have 5 things to bring??? One of them had better be my Jump Ringer (that is, the kit, otherwise each item in the kit might count as one of my 5 and I have to leave room for my 2-ton tub of snack granola).
_____________________________________________________

The links to the blogs of the other carnival participants are provided below.

Elaine Luther
http://creativetexturetools/news

Marco Fleseri
http://www.fleseri.com/blog/

Angela Crispin
http://angelacrispin.canalblog.com/

Comments

Hi Angela!

Thanks for the compliment on the slide show.

Aaaahhh--nothing like cutting and fusing chain links! Hehe.

Please visit as often as you like--thanks for peeking in!

Tamra

Hi Tamra,
Great slide-show of your "Jump Ringer" set up. Cool !
Have a great intense-precision-cutting-fusing session ! I'll come by and visit now and then to see all the other cool things you'll be coming up with :) Angela

The comments to this entry are closed.

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Birthstones

  • CHINESE ZODIAC
    Year of the Ox
    Lapis Lazuli
  • JUNE'S BIRTHSTONES
    Modern: Pearl, Moonstone

    Traditional: Alexandrite

    Western Astrological:

    Gemini (May 21/22 to June 21): Zodiac--Agate/Planet--Emerald, Tigers Eye

    Cancer (June 22 to July 22): Zodiac--Emerald/Planet--Moonstone

Trunkt: T. Gentry Design Studio

Categories

Useful in the Studio

  • Lip Balm
    Sure, you can use any lip balm, but I love Burt's Bees Replenishing Lip Balm with Pomegranate Oil. For me, if my lips are dry while I'm working, I find that I tend to lose focus a bit. I can't stand dry lips. And, for some reason, dry lips tend to bring on the munchies, which is not good. So, balm up! This is good stuff.
  • Old Rags and Towels
    I'm almost at a point where I no longer use paper towels at all in my studio (in an attempt to "go green"). I hijacked all of our old towels (kitchen and bath) in a variety of sizes, and all I have to do is throw them in the laundry and re-use. No paper waste! And, they're much more absorbent and better for cleaning messes and spills.
  • Shea Butter for Hands
    As jewelers, our hands take a lot of abuse. I've searched and searched for THE product that helps with my eczematic hands, and the cracks I get from frequent washing. If you have dry, cracked hands--or just hard-working hands in general, this stuff works wonders! And this is from someone who has tried EVERYTHING.
  • Covered Coffee/Tea Mug
    A must-have for anyone who fabricates and generates any type of metal or other studio dust. I drink a LOT of coffee and tea while I'm working, and this mug keeps all the bad stuff out. And, it's only ten bucks (plus shipping...)!
  • Canned Air Duster
    I've found this stuff invaluable both at the bench and at the computer. I can't stand a crappy keyboard, so it's good for that; but, it's also good for blowing dust and/or filings off of a piece while you're working on it. Go for the environmentally-friendly cans...
  • Glass Jars
    I haven't met a glass jar I don't like yet. You can do ANYTHING with all those jars! Store chemicals, mix chemicals, store brushes and dowels. Not to mention, you can look at it as actively recycling too!
  • Shoe/Handbag Storage Bags
    You know--the drawstring cloth storage bags that come along with some purses and pairs of shoes? I always keep the shoe boxes for the shoes anyway, so I use the bags for things like wrapping tools, putting over my camera when not in use (nice satin Betsey Johnson bag for this...), storing jewelry when working at the bench instead of leaving it out to get tarnished, etc.
  • Toilet Paper
    This is VERY useful for dabbing away too much flux when prepping to solder. You can just rip off ONE sheet, tear it at an angle, and then dab! Also good for blowing one's nose when out of studio kleenex...